In film, it is often taken for granted that each scene shown to the audience is an accurate depiction of the events in the story. That is, in following the protagonist throughout the plot of a film, the audience witnesses the film’s events as they actually occur. This status quo is flipped on its head by Charlie Kaufman, director and writer of Anomalisa and Synecdoche, New York. In both Anomalisa and Synecdoche, New York, the audience witnesses the plot through the eyes of the protagonist, whether this is done subtly or overtly. The difference created by this change in narration results in a more efficient communication of the character’s state of mind and a more relatable and engrossing frame of reference.